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    <loc>https://www.hollywrenspaulding.com/events/in-conversation-holly-wren-spaulding-and-lisa-weinert-at-narrative-healing</loc>
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    <lastmod>2021-01-31</lastmod>
    <image:image>
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      <image:title>Events - In Conversation: Holly Wren Spaulding and Lisa Weinert, at Narrative Healing</image:title>
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    <loc>https://www.hollywrenspaulding.com/home</loc>
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    <lastmod>2023-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e231cd602411b772ebff2d4/1614111245131-WMQBI1VNG4NYBJMGPC9Q/Holly%252Band%252BKaren%252Bsculpting%252Bgrass%2Bcopy.jpg</image:loc>
      <image:title>Home - Holly Wren Spaulding is an author, interdisciplinary artist, and writing teacher based in southern Maine, where she is the founder and artistic director of Poetry Forge, an online school for poets and secret poets.</image:title>
      <image:caption>Her poetry collections include Between Us (2022), Familiars (2020), If August (2017), Pilgrim (2014), all published by Alice Greene &amp; Company, and The Grass Impossibly (2008), for which she was awarded the Michigan Cooperative Press Chapbook Award in Poetry, selected by Fleda Brown. St. Brigid Press recently released her limited edition, letterpress chapbook called Fire. Her writing also appears in anthologies including Elemental: A Collection of Michigan Creative Nonfiction, edited by Anne-Marie Oomen (Wayne State University Press, 2019), and We Are Everywhere: The Irresistible Rise of Global Anticapitalism (Verso, 2006). In 2022 she created Open Field Editions to publish Prima Materia, a limited edition booklet documenting her installation and performance work with visual artist, Karen Dolmanisth. www.hollywrenspaulding.com</image:caption>
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    <loc>https://www.hollywrenspaulding.com/books</loc>
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    <lastmod>2022-03-04</lastmod>
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      <image:title>Books - Fire</image:title>
      <image:caption>“This work is a singular gorgeous poem, channeled through a writer who is herself a living, breathing poem. I know the flames contained in these pages, can smell their approach, and Holly Wren Spaulding, with her heart always outside her chest, is the herald of a scorching I can be grateful for.” — Chris La Tray, author of One Sentence Journal and a forthcoming memoir from Milkweed Editions, Becoming Little Shell. The open spaces in Fire can be read as white heat; the stretching hours and years in which certain events, whether real or imagined, lived in the imagination, and vibrated beyond.  These fragments are husks of places and people in a burning landscape. The elements. Bodies resonating according to unseen frequencies. Attempts to say what it was like. The residue of what was felt. Designed and digitally typeset in Adobe Jenson Pro at St Brigid Press. Interior pages digitally printed at Bailey Printing, Inc., Charlottesville, Virginia. Text block hand-sewn at St Brigid Press (7.25” tall x 4.25” wide). End papers are hand-marbled in India. Jacket letterpress printed on St Armand handmade paper at St Brigid Press. Published July 2021. Order directly from the publisher.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e231cd602411b772ebff2d4/1627481712648-169U7V56ZGIN3CL037X8/Fire+by+Holly+Wren+Spaulding.jpg</image:loc>
      <image:title>Books - Fire</image:title>
      <image:caption>“This work is a singular gorgeous poem, channeled through a writer who is herself a living, breathing poem. I know the flames contained in these pages, can smell their approach, and Holly Wren Spaulding, with her heart always outside her chest, is the herald of a scorching I can be grateful for.” — Chris La Tray, author of One Sentence Journal and a forthcoming memoir from Milkweed Editions, Becoming Little Shell. The open spaces in Fire can be read as white heat; the stretching hours and years in which certain events, whether real or imagined, lived in the imagination, and vibrated beyond.  These fragments are husks of places and people in a burning landscape. The elements. Bodies resonating according to unseen frequencies. Attempts to say what it was like. The residue of what was felt. Designed and digitally typeset in Adobe Jenson Pro at St Brigid Press. Interior pages digitally printed at Bailey Printing, Inc., Charlottesville, Virginia. Text block hand-sewn at St Brigid Press (7.25” tall x 4.25” wide). End papers are hand-marbled in India. Jacket letterpress printed on St Armand handmade paper at St Brigid Press. Published July 2021. Order directly from the publisher.</image:caption>
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    <image:image>
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      <image:title>Books - Familiars</image:title>
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      <image:title>Books - If August</image:title>
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      <image:title>Books - We Are Everywhere</image:title>
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      <image:title>Books - The Michigan Poet</image:title>
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      <image:title>Books - Elemental</image:title>
      <image:caption>Elemental: A Collection of Michigan Creative Nonfiction comes to us from twenty-three of Michigan's most well-known essayists. A celebration of the elements, this collection is both the storm and the shelter. In her introduction, editor Anne-Marie Oomen recalls the "ritual dousing" of her storytelling group's bonfire: "wind, earth, fire, water-all of it simultaneous in that one gesture. . . . In that moment we are bound together with these elements and with this place, the circle around the fire on the shores of a Great Lake closes, complete." Holly’s essay, “The Language of Trees” was included in this collection of creative nonfiction published by Wayne State University Press, 2019.</image:caption>
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      <image:title>Books - The Grass Impossibly</image:title>
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      <image:title>Books - Pilgrim</image:title>
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    <lastmod>2021-02-23</lastmod>
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      <image:title>Projects</image:title>
      <image:caption>Holly and Karen, work in progress, 2018.</image:caption>
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