you’ve accumulated a file of finished or nearly-finished poems
for your body of work
worthy of a wider readership
this immersive course offers serious poets a structure & a process
to turn individual poems into a polished collection
your willingness, raw talent, pages in wait
my 20+ years of reviewing, editing, assembling and publishing poetry
you are a poet. you are ready
I’ll ask powerful questions, push the work where it needs to go further, & help you find a form for your body of work.
we’ll identify your best poems, & those yet to be written, & consider how to assemble them into something that is greater than the sum of its parts.
I’ll email you bi-weekly lessons on Fridays that include essays, exercises & clear instructions for how to move through the process of assembling a chapbook-length (10-30 pp.) manuscript.
I’ll read your work for what unifies it aesthetically, thematically, conceptually, or otherwise.
I’ll provide written feedback on your poems + monthly private tutorials, which give you an opportunity to ask questions & discuss the work in progress.
this once-per year course is limited to 6 participants so your work will receive my full attention.
“Holly’s help has been invaluable. Insightful, incisive, your comments have challenged and guided me to do better—then best. Frost was right when he said a poem is never finished, only abandoned. Now I feel this work must finally be set free of our careful tending to see if it can fly on its own.” –Karen Anderson
gather your poems. allow me to help you see the ones that have the most potential for a manuscript.
prepare to commit time to the lessons, exercises, reading, & deep revision process
meet with me privately to discuss your work
study other poetry collections of your choice, to observe how they are constructed
swap work with one other poet in our group for peer feedback
enjoy the sense of completion when you’ve assembled a working manuscript to continue polishing outside the course
“In working with Holly, I have learned to push the edges of my imagination and creativity. I deeply appreciate her unique ability to bring people together for synergistic sharing of self, poetry, life.” –Melissa Fournier
Are there any prerequisites for participation in this course?
You should have a minimum of fifteen poems drafted before enrolling in this course, but the more work you have to choose from, the better your manuscript will be. I will look at up to 50 poems to help you determine which will make the best body of work.
What if the poems are still in draft form?
That’s fine. You will receive feedback along the way—from me and from one peer—and there’s time built into our schedule for revision.
What if I want to do this for myself, and I’m not really interested in traditional publication?
You are welcome to join us as long as you remain eager to do your best work, and will enjoy the process of shaping and revising your collection. Traditional publication is not the only path, and I am here to offer other ways to make your work real in the world.
Do you have publishing contacts and can you help me get published?
I will provide you with my curated list of notable publishers of chapbooks. I will also guide you in the steps necessary to prepare your manuscript for eventual submission. I am not able to help you get it published, however.
What if I have no sense of whether my poems are worth putting into a collection?
During our first month together I will review your work and make recommendations as to which poems are strongest. This will provide a solid draft on which to focus your revision.
What if I haven’t written many poems yet, but I have an idea for a book I’d like to write?
I encourage you to write those poems before enrolling in ABOW; if you need support in that process, I encourage you to take a generative course with me. Many writers find that 21 and the Poetry Immersion Program are effective ways to generate work for a book.
What if I have questions along the way?
I’m always available to you via email and will do everything I can to make the course an enriching experience for you. Our cohort will meet twice in a live webinar setting, and you are entitled to meet with me 1×1 for a private consultation after I’ve read your first draft. If you wish to book additional coaching sessions, the charge is $100 for 50 minutes.
How often do you offer this course?
I teach A Body of Work once each year, beginning in late winter, which is an ideal time to do deep, sustained creative work. The next session begins in January 2018.
I’m already taking another course with you, can I do both?
If you have the time to do more than one, why not; they will certainly complement one another, especially if you are taking a generative course at the same time.
“I want to thank you very much for all your help and guidance through this very critical process. I feel much more confident with the poems because of all your help.” –Arben Mehmetaj